Cat Temper - A Furwell to Kings

 Cat Temper -  A Furwell to Kings           

It’s time to ride the meowwave!

A Cat Temper album based around Rush?!

Yes, Rush is my favorite band.

Not Yes, I like Yes, but not as much as Rush.

Sorry for the dumb joke but I am not sorry for the cat puns.

This album is full of great tunes.

Synths, beats, and cat growling guitars build and rule this furry kingdom of sounds.

Hears some noteworthy tracks (keep in mind, this entire album is pawesome)

Purrmanent Waves - starts off with a vintage Stranger Things vibe then stretches out in different shimmering directions.

The Analog Kitten - this track is furrrocious. heavy keys and deep beats keep this track spinning.

Hold Your Fur - Has a sinister vibe that I dig. Gives me a feeling of John Carpenter being channeled through the sounds of Power Windows (the classic Rush album). 

That to me is a good thing. This track has been picked as a favorite by some and its easy to hear why.

This album is a smoke show synth wave of cool.

Purrr it on!

Yours in pawesome Cat Temper music,

Count Robot

Mission Creep - Tonight, delirium. tomorrow, tremens

 Mission Creep - Tonight, delirium. tomorrow, tremens

This is a write up of the new Mission Creep album Tonight, delirium. tomorrow, tremens

I’ve been following the spy sound escapades of Mission Creep for some time and have always dug in deep on the deft changes and style movements of this groovy group.

Mission Creep can sound like a 1960s French crime flick, a dub invasion from another dimension, a cosmonaut playing jazz while orbiting the Earth, 

or a far out trip of electronicx.

Mission Creep is the audio project of Gregory Damien Grinnell. 

Mission Creep has two full length albums. This one is my favorite.

some stand out tracks include;

Jet Dark - all space age cyber punk jazz and all instruments played by Grinnell!

Some Kind of Work - this danceable, electronic mad fest, is ladened with groovy samples and has lead vocals by the lead singer of the Gypsy Moths, Steve O’Brien.

A really fun update of the sound Mission Creep gave those of us lucky enough to see the project in its beginning stages in performance spaces 

around Boston.

Strange Glow (parts 1 & 2) -savage industrial jazz. A really wild expansive track.

Naked Street- Neon noir. A private detective sent to cyber crime alley. This song is not just what we need to hear in the future, it’s what we need now. 

You Are Free To Move About The Cabin - Freer than free jazz. Sax wildness by Pek from Evil Clown HQ. 

There’s not a bad song on this fine collection of tunes. One thing I like a lot about this album is it is not too long. Too many albums push the boundary of length and over stay their welcome. That is not the case here at all.

And one last parting thought, any album that ends with a sample from the movie Planet of the Vampires is pretty much guaranteed to win me over.

Yours in awesome Mission Creep music,

Count Robot

A poem of now

 A poem of now

I dream of madness

I wake to madness

I quake to madness

I ice to sadness

as I brace for more madness

I choke on the sadness 

but that’s what THEY want so I will not drown in sadness

nor is the path of slipping into their madness the way I will go

Instead I will become ice Melt.

Yours in rebellion,

Count Robot

Die Unceremoniously

Die Unceremoniously is an album by Astro Al.

This album was assembled from jams recorded in the bunker at Maudslay Park in Newburyport MA.

The acoustics there are amazing. One of the best recording spaces I have ever been in and that includes professional recording spaces.

Here’s my thoughts on it track by track.

1. Die Unceremoniously 

The title track. Well that’s obvious. It was inspired by the graffiti at the entrance to the bunker.

A life devoted to art is a life that deserves ceremony at the end. The AI that exists now is a death that deserves no ceremony. 

Improvised words.

2. An Insect in the Dark

You can chart your own failures and sink in them or overcome them. To overcome them, you can change them into something else.

The easy choices are the hardest because they can weigh you down for your whole life.

Maybe the stories are true in this track. Maybe they are the lies I’ve told myself. Perhaps they are artistic fabrications.

The 80s were no more or less glorious than any other time period.

3. And All The Demons

Traversing the subconscious world in beat driven style.

The percussion DNA Girl did on this track makes it work for me.

All the angst eats itself alive.

Road tripping poetry.

4. Hear Emily Say

DNA Girl riffs on Emily Dickinson. Not a bad poet to riff from at all.

Death stops for me.

The echoes in this track are all so natural because they are.

5. Legend of the Undead

Where do our myths come from?

I know where the hauntings and possessions come from. Dementia is the devil.

6. Electric Elephant

This track is mostly instrumental.

This is the track a few djs latched on to play. Honestly this is my least favorite track on the album.

I think there are some good bits but looking back on it now, I would have done things a lot differently with this one. Some good mando at the end by DNA Girl.

7. Beyond Sound

The beginning of this track is just the ambiance of the Bunker and my voice.

Vladamir Putin, if you listen to this track maybe you’ll finally realise that being a dictator is nothing but failure.

My invisible brain will tell you so.

There’s some theremin in this track. Dragging the Theremin to the Bunker was a little tough but so worth it to get that echo.

The words for this one were written before the jam.

8. Fangless Fox

Corporate speak cracks me up. It’s all so meaningless and pointlessly trendy.

The words for this one were partially pre-written before the jam. They were written as a stream of words as meaningless as corporate America.

Album credits

Astro Al is:

DNA Girl: Voice, vocals, mandolin, FX, bodran, drums, acoustic guitar

Count Robot: Voice, FX, theremin, duotron, kazoo, violin, stylophone, Aztec death whistle, duck call, modified tape player

Recorded at Maudslay State Park Newburyport MA

Created, produced, and mastered by Astro Al

Copyright 2025 by Astro Al

Yours in ceremony,

Count Robot

Haneke a movie director

I have a new saying, “that’s as cheerful as a Haneke movie.”

 

Death to Videodrome

 

Recently a friend gave me a copy of the movie Videodrome on DVD.

For those who don’t know about the flick. Here’s a trailer.

I have seen the movie on VHS and cable many times over the years which is a very valid way to see it given that the VHS tapes in the movie throb and live. It was always a weirdly fun sensation to take the tape in and out of the VCR after watching it. Cable felt appropriate too since Videodrome was going to be shown via cable.

So watching it on DVD felt a bit different.

First of all, I hadn’t seen it in many years.

How many times have I seen it? 

Sorry, lost count.

I should mention that I’ve never seen it in a movie theatre or via streaming.

The sharpness of seeing it on a DVD really surprised me. My mind’s eye was just used to the old VHS grain and not the crisp image.

The movie still holds up to me, although I have sensed something in it that I didn’t feel before.

I now feel that the character Bianca, while not as bad as the people who turned Videodrome against her father, is still using Max and not the “good” character my analog hazy memory recalled.

In Videodrome there are no good people. There is just torture. 

Supposedly there is philosophy. 

To my mind no matter the philosophy, there is just torture

Death to Videodrome.

Long live the new flesh.

Yours in cult movies,

Count Robot

Danger Zone?

What I want to know today is, can Kenny Loggin's beard save us from the danger zone?