Friday, April 10, 2026

The Doors Immersive

 The Doors Immersive




I am a life long Doors fan.

The first time I heard Moonlight Drive my mind was carried away.

5.1 audio is my most treasured audio format, ever.


Put the two together…. ah magic is here.


Not too long ago, the Doors released a box set of their albums remixed into 5.1 audio by their engineer, Bruce Botnick.

Yes I got it. It is amazing.



Some highlights of the set:


The Doors:


This album and LA Woman are my favorite Doors album. I can’t seem to choose one over the other. They are astounding book 

ends to a fantastic band.


Break on Through- kind of feels as if you’re listening to the playback in the control room. Some additional vocals added.

Deep and wide. 


The Crystal Ship- A haunting beauty of a song. Some keys weep in the rear speakers. 


Alabama Song (Whisky Bar)- Has good natural sounding reverb. The added depth of separation between the instruments is delightful.


Light My Fire-The keys sound incredibly rich. So rich they own their own island. 

Nice cymbal wash in the rear speakers.


Back Door Man- Feels more improv/live at a blues joint which is nice. Different bits and parts of added vocals.

Robbie ripping the guitar!


I Looked At You- Has some added menace.


End Of The Night- Deep travel time inside and outside.


The End- Some additional vocal tracks are added here that really move this track into another level of insanity.

John is playing sublimely here and you can feel it in this mix. The snare is thunder.

He walked on down the hall….

More wild vocals.


Strange Days:

Most likely my second favorite Doors album.


Strange Days- Morrison’s reverb ladened voice in the rear speakers with keys and then more keys and the drums in front. Epic. This is why I love these mixes.

You can feel right inside the song.


Unhappy Girl -Now with clapping. Some interesting sounds I never heard before. It’s jarring in a way because I know the original well.

Very hippy cool.


Horse Latitudes- Trip! Trip! This is a wild swirl of chaos in sound. A classic. Beautiful without being beautiful. Savage power poetry. Full 5.1 powers activated.


Moonlight Drive- The first Door’s song I ever heard. Great immersion blur of sound. Morrison sounds amazing. So do they all. Robbie’s slide!!! Everything spread around the listener’s room on our moonlight drive.

Robbie’s guitar bounces around the channels! Worth the box set!!!!


People Are Strange- excellent chorus!


My Eyes Have Seen You- Good bounce layers of sounds. Some added vocals. Fade out is astonishing.



I Can’t See Your Face In My Mind- Feels like they’re on stage right in front of me in a tiki bar in LA. Really well done surround mix. Makes a strange song even stranger.

Fantastic slides Robbie!!!!


When The Music’s Over- John plays so into this song, wow. He makes it. Nice reverb on this mix. I get a control room sort of vibe. Imagine watching this being recorded live? I have that vibe with this mix.

Good feedback erupting from the rear speakers. Savage! We want the world…. those words fill it! Good job here!



Waiting For The Sun: 


Hello, I Love You- Everything is in full surround mode. Nice spread of the sound. This track should be a primer for anyone making a 5.1 mix. This is an extended take too!


Love Street- Jim harmonising with himself. Bliss in sound.


Not to Touch the Earth- Snaking guitar in the rear speakers as John drives the drums in front! Some of the drums end up in the back speakers and it sounds killer.

I am the Lizard King I can do anything…


The Unknown Soldier- Jim’s voice is super deepened. The marching drums move all around. Brilliant! The bells crash into the mix. 


Spanish Caravan- While not really using the back speakers a lot… the acoustic guitar at the beginning has a depth that puts 

the original mix to shame. Sublime. Beautiful. Later the 5.1 kicks in very well…


My Wild Love- Shining percussion in this version.


Five to One- Trading your hours for a handful of dimes… The back speakers awaken with backing vocals. Get together one more time… Some additional vocals at the end.



The Soft Parade:


Touch Me- The strings are mostly in the back speakers. So good. Gives excellent separation of the instruments letting you focus on what you will. Sounds so full!


Shamen’s Blues- Guitar sounds so alive and dangerous. Keys on everything. This song sounds as if it’s a breathing life form.

The stereo version doesn’t have this vibrancy.


The Soft Parade- Has an alternate intro that is brilliantly odd. I dig it so much.



Morrison Hotel: 


Roadhouse Blues- Feels like you’re in some tiny roadhouse with the Doors on a stage so small you could pass them a beer from your tiny table.

The mix of the harmonic is brilliantly perfect. They also dropped in some additional vocals from Morrison. Might be better than the original release.


Waiting For The Sun- Some of the keys are on the rear speakers and they have a bite that is really effective.


Peace Frog- The guitar! They really pushed the immersion with Robbie’s playing on this song.


Land Ho! - More good use of the guitar in the mix.


Indian Summer- Has some wonderful echo and reverb. Better than the original mix. Nice reflection of the drums in the rear speakers. Gives me wonderful chills.


LA Woman:


This is tied for my favorite doors album. Yes, I stated that already.

Of the two in 5.1 I prefer LA Woman. It takes more advantage of the format.


The Changeling- The keys are in both the front and back speakers. Gives it a nice full feeling. Robbie’s guitar cuts into the back speakers. Excellent!

You’ve got to see me change! Nice clapping in the rear speakers too.


Love Her Madly- Has a nice feel of you sitting at the mixing board while the band lays down the track in the studio.


Cars Hiss by My Window- The vocal take they use here is different than the original album and very cool. Even more bluesy than the one originally used.


LA Woman- The extended intro really helps set the mood for the rise and fall of this track. Riding riding. 


L’America- Guitars moving all around. Perfect and not gimmicky at all.


The WASP (Texas Radio and the Big Beat)- Jim’s voice echoes across the speakers. The keys have a nice rich sound. The DRUMS burn across the speakers.


Riders on the Storm - This is what the word “immersive” means. You are surrounded by the storm. 

Riding the music through the rain. I really dig the Doors ending albums with songs that stretch out like this one. Jim’s whispers are really audible.





My only complaint with this set is that, American Prayer, the two Jim-less albums (which I like a bit, there is some great material spread across those albums), and a live album should have been included.

Tightrope Ride alone in 5.1 would have made the inclusion of the two Jim-less albums worth it. 

The wildness of American Prayer makes for an experiment of mind altering proportions.

Hearing any of their live albums in this set would have been striking too.

This is probably asking a lot. 


Still, I am happy enough this set was released and the price wasn’t bank breaking, which if they included all that other stuff I wined about, it would have driven the price up. So maybe I should put a sock in it.

If you’re a die hard Doors fan with a 5.1 set up, get this box set!


Yours in wonderful 5.1 music,

Count Robot

Monday, April 6, 2026

Irrevocable Trust- the Podcast

Recently I was able to help produce a true crime podcast.

It's called Irrevocable Trust and is the true story of the unsolved Friendly Murders from the 1970s.

If you want to check it out (there are nine episodes) you have three places to listen.

Youtube

Substack

Spotify


Yours in podcasting,

Count Robot

Thursday, April 2, 2026

Wonder Valley Video Fest

 


Our audio project Static Apparitions has two videos in this fest. Enjoy or not!

Yours in videos,

Count Robot

Wednesday, April 1, 2026

Pithy 1

 At the end of the world

what will we take with us, and

at the end of time what will we wear?

And at the birth of the new forever, what ties should I burn?


Yours in words,

Count Robot

Friday, March 27, 2026

The Scepter of Bonkers

 The Scepter of Bonkers





Your mind and your heart will go zonkers

if you’re not awesome enough to hold the Scepter of Bonkers


Memories and portents so young and so old

will realise the fantasy you were foretold


Even if you retrieve the bygone name of the game

You and the game, will be the same and not the same


Make every move so glistening and bold

When you win the game the Scepter of Bonkers you will hold


What jagged and bright memorials can we retain?

Memories are the fractured moments that remain


The Scepter of Bonkers can light your board room game decayed brain

Assemblage and reconstruction of our past is our present future bulleting train


Atomic page outrage age burning extra stage of a board game sage

filling a soon to be forgotten digital page


Bonkers is/was a board game

The scepter was something we made only to be held by the victor of the game

Victory brought fame

Losing brought shame

Isn’t this ending lame?



Yours in poetry about old board games,

Count Robot


-Inspired by my brother Tim.

Monday, March 23, 2026

Amplissima - Iron Bird

 




Iron Bird- Amplissima

This is a run down of that album with some track by track thoughts on it.


Amplissima is one of many audio projects featuring, Tim Mungenast, E Dahlfree, Dobra Jené Ashentree, and myself under one of my many ridiculous aliases. 


This album was recorded in the same attic space in Norton as the Amplissima album Fields Converge (which featured awesome guest Vanessa LeFevre).

The house in Norton is supposedly haunted and supposedly was formerly a brothel a hundred or so years ago.

All I can say for sure is that the attic space is a great recording area. 

It's got a nice resonance and plenty of room to spread out.


This is the 4th Amplissima album. 

released October 25, 2024

1. Lamb Hops 5:45 -This track is a good example of E using his trumpet to build space around the rest of us.


2. Iron Bird Shenanigans 10:14 -A bit of enjoyable interplay between Tim & Dobra here on their respective stringed instruments.


3. Anything Unusual? 5:05 - Some tasty Tim guitar. Oh wow! This track has E's broken varmint call.


4. Future Events 8:42 -Featuring many samples from the classic movie Plan Nine from Outer Space. Future events such as this will affect you in the future.

Thank you Ed Wood! Some fun sonic textures on this one. Nice percussion by Dobra.


5. Hash Machine 7:17 - Hash Machine! The silliest track on the entire album. That's why it's at the end. What better way to return your ears to the planet you live on.



Amplissima is:


Dobra Jené Ashentree: octave mandolin, tambourine, tongue drum, metal guiro, tin whistle, FX, percussion, vocals


E Dahlfree: trumpet, electronics, voice, bells, broken varmint call


Tim Mungenast: electric guitar, effects pedals, overtone singing, field recordings


Drake Robey: voice, bullet microphone, sampler, samples, synth, monotron, electric kazoo, weird sound generator, FX

- I used a cheap casio synth from the late 80s on this album. I ran the output through a lot of pedals and I rather like some of the weird sounds it created.

I gave the synth to Tim. I hope he is having fun with it.


Recorded on 10/15/22, on a Saturday evening in a mysterious house in Norton MA.


Created, recorded, mixed, engineered, produced, and mastered by Amplissima.


Copyright 2024 Amplissima


The cover photo was taken by E 

The cover design was by Dobra 



Yours in iron birding,

Count Robot

Saturday, March 21, 2026

Needles of the Sun

 

Needles of the Sun


This is where Death is born


The record needle injects your lush piano concerto

into my weeping ears


The laser needle burns the undesirable mutations from my skin

Do you want me to save them for you?


Death is born to a warm, vibrant, mother in a realm where the sun

breathes its moist heat upon the verdant plains


The eye of the needle is searching for you

waiting for your sores to scream 

for the penetration and your subjugation


The needle sweats your fallen desires

waiting for your most desperate despair

as the sun intrudes on the darkness


Gentle air from obscure rains

caress your tranquil face

as your piano playing swells

inside the mended cottage that

I am



And Death sleeps peacefully

in it’s mother’s arms






Yours poetically,

Count Robot