Holiday Specials that should exist, but don’t.
1. A Bettie Page Christmas! Featuring; nudity, corsets, and spankings for all!
2. Godzilla vs Krampus! Only Godzilla can save Christmas from the evil power of Krampus!
3. Easter Everywhere! The 13th Floor Elevators explain the true meaning of Easter.
Yours in ridiculous holidaze specials,
Count Robot
This past year our audio projects Astro Al & Static Apparitions contributed a few exclusive tracks specifically created for some charity compilation albums.
Here’s the results of some of them.
All our tracks were newly created for these compilations
Money raised so far Compilation name
$178.00 We Live Within A Dream: Tributes To David Lynch
- (band) Astro Al - (track) David
$176.33 Desert Music Collection
- (band) Static Apparitions - (track) Cactus Lullaby
Yours in giving music,
Count Robot
This past weekend we did our last live stream Neurodivergent show of 2025.
It was super fun and was over before I knew it.
Here’s a link where you can watch it for free,
Here’s some behind the scenes pictures.
Saturday 12/13/25 at 7PM EST you can witness free live stream musical chaos.
If you can't watch it live you can watch it on demand anytime after the show. You can pause the show live!
Neurodivergent Orchestra - I Splode You So
url: https://youtube.com/live/
Saturday 12/13
Start Time between 7 pm and 7:30 pm East Coast US time
PEK – wacky banter, clarinets, saxophones, double reeds, flutes
Cliff White - saxophones
John Fugarino – trumpets, trombone, flugelhorn, French horn
Eric Dahlman – trumpet, overtone voice
Count Robot - wacky banter, gadgets
DNA Girl - wacky banter, mandolin
Tim Mungenast - wacky banter, guitar
Scott Samenfeld - bass
Jared Seabrook - drums
Joel Simches 978-590-5539
Paul Brennan - camera
“Centred on improvised spoken absurdism about science and monsters, this Boston septet's playful humour drives a sprawling electro-acoustic free improvisation, each player shifting between wild sonorities, noise sources, rubber chickens and synthesised colour as PEK steers the Neurodivergent Orchestra through a gleefully chaotic sonic experiment.”
Squidco Staff
On the last Bandcamp Friday of 2025 one of the releases I purchased was Nitrous by William Davison & Don Campau
I dig this to outer space and back.
This is a fantastical old school synth fest on deep space planet nine.
Really great stuff if you like early electronic albums (Think Tangerine Dream's early albums and similar wonderful stuff for reference framing).
This is tripping on 1970's LSD in a graveyard while talking about the original Star Trek to an ant.
Sounds of nature on a distant world turned into music. Fans of great sounds, come and check it out.
The last track feels like playing pong while listening to the soundtrack of an 80's sci-fi movie.
Rust 4 The Art and Science of Rust
by Tim Mungenast & Astro Al
Another album write up
1. Evolution #99 - A racing rush of sounds. The joy of improvising music is the unexpected layers of sound that rush forth. The problem with improvising is sometimes you get nothing of interest. It happens. So you just cut out the boring bits and keep the good bits until you have enough good bits for it to work. Even some bad bits can become a sound source to manipulate. Title by DNA Girl (I think).
2. Merry Go Rust - Tim plays the saz a bit on this one. The saz is a really cool instrument that I first became aware of thanks to our friend, Greg Grinnell (who fronts an amazing band called Mission Creep) who is an incredibly gifted musician and artist. Acoustic instruments can rust just as well as electric ones. Tim did tasty work on this one.
3. What Are You? -This is my favorite track on the album. Deb's vocals give me the chills. I didn't think we could make this one work but it does. The sense of menace builds pretty well. Feels like a creepy horror flick. I couldn't recall how we got that cool sound at the end until I talked to Tim who created that sound using his Babybox analog synth. It is a wild sound and perfect to close out this track. What are you? A robot, an electronic ghost, a sound of pure chaos?
4. Levitating Saucers of Rust - The favorite track of someone who actually bought the album. Yes, sometimes people actually buy our stuff. A dreamy breezy ambient soundscape of escape.
5. Rust of the Codemancer - What is a Codemancer? It's a necromancer who creates magic through programming. The words for this one all grew out an improv piece that I recorded at Maudslay state park then spliced into the track. Rust can be beautiful. The Honey Tone 5 are part of the story and referenced again in Rust Triptych. This track is about sacrificing yourself for beauty and to help others. True beauty is helping others and maybe rust can show us the way to that beauty.
6. Rust Triptych - Three rust stories. Each story is independent of the other. We purposely kept each other in the dark about what we were writing for the words. DNA Girl's Rusty the rabbit story is my fav of the three. Bias? Perhaps. The line "night of the musical Lepus" is a reference to one of the most ridiculous "horror" movies ever made, Night of the Lepus. It's about giant killer rabbits and they used real rabbits for most of the "special" effects scenes. It's even more ludicrous than it sounds. The Honey Tone 5 teach love and being better together.
This album was released on March 25, 2025
Credits:
Tim Mungenast: Teak Wonder guitar, Marshall MS-2 toy amp, Mesa Boogie Studio.22+ amp, Babybox analog synth, FX, overtone singing, vocals, whirlie, balalaika, voice, cymbal, saz
Tim is a truly gifted guitarist and wonderfully quirky collaborator of sounds, ideas, and fun.
The Rust series of albums was his idea. He told us one day that he wanted to make an album that sounded like rust and that started it.
How many Rust albums will we create?
I don't know but another is being mixed/edited as you read this...
Astro Al is:
DNA Girl: PRS Piezo SE guitar, vocals, Ibanez mandolin, Gold Tone octave mandolin, wah-wah tube, FX, steel drum, synth, tongue drum, cabasa, slide, voice
Count Robot: Vocals, voice, microphones, duotron, monotron, springatron, acoustic and electric kazoo, DVD player, Aztec death whistle, metal, genometer signal generator, FX, boom box
-Oh you might be wondering how you play a DVD player and a boom box? You play them by putting a microphone that picks up electronic frequencies and then feeding that signal through FX pedals and an amp.
Part of the voice narration for Rust of the Codemancer was recorded in the bunker in Maudslay State Park. MA. If you find yourself in MA visit this spot. You won't regret it. It's one of the best sounding recording spots I've ever been in. Sounds better than any of the studio spaces in any pro-recording studio I was ever in and yes I was in more than a few in Boston.
Everything else was recorded in Weirdfield, MA, and Allston Spa, NY
Written, performed, produced, and mastered by Tim Mungenast & Astro Al
copyright 2025 Tim Mungenast & Astro Al
Rustingly yours,
Count Robot
Jerry Kranitz is pleased to announce the publication of his book Cassette Culture: Homemade Music and the Creative Spirit in the Pre-Internet Age. Originally published in 2020 in a now sold-out edition by Frank Maier’s Vinyl-on-Demand imprint, the book takes a social history/analytical approach to the growth of the global homemade music/cassette culture network that sprouted and flourished from the post-punk era through the early 1990s. Kranitz explores how the participants communicated, traded, collaborated, and set up cottage industry labels to distribute their work. A long overdue study of this pivotal yet less than comprehensively documented chapter in the post-punk and 20th century independent arts movement stories.
This second edition includes multiple updates. The Introduction has been reworked, multiple people quoted from the 1980s-90s small press publications/zines have been tapped for feedback from a contemporary perspective, plus other ‘bits and pieces’ additions. The scope of the book has not changed. Kranitz is still laser focused on the hometapers and post-punk era network of communication, collaboration and exchange.
Paperback and Kindle editions are available from Amazon stores worldwide.
PLEASE consider purchasing the paperback from one of these esteemed vendors:
· Soleilmoon (US)
· Tapehead City (US - Coming soon)
· Resident Music (UK)
Direct links to purchase are available on my website at https://www.
If you are a retailer and would like to stock the book, it is available through IngramSpark (ISBN 979-8-218-81983-5), or email me at jerry@jerrykranitzwriter.
Check out Cassette Culture Podcast host Martin Franklin’s video review of the book on YouTube…
https://youtu.be/KW8ZIgO_Llo?
Alan Rider posted a detailed review in Outsideleft Magazine…
https://outsideleft.com/main.
Acclaim for Cassette Culture…
In Cassette Culture, Jerry Kranitz has achieved the near impossible, that of summing up the nature, reach and impact of the radical and democratizing technology that was the cassette tape. The invention of the compact cassette wrestled control out of the hands of the record industry and placed it firmly into the laps of you and I, to create, communicate, collaborate and innovate like never before. Drawing on original sources and prime movers in the underground cassette scenes that sprang up all over, Kranitz paints an evocative picture of an era now passed, but whose influence is still with us. The humble cassette offered true emancipation to those seeking to share and exchange music with others across the world and enabled small bands to record and release their own music without the need to go into a studio or chase a recording contract. Kranitz opens the door to this world through the eyes of some of its key protagonists and brings it alive for us through his clear passion for the topic. Cassette Culture acts as an eye-opening introduction, a selection box, and a guidebook into the incredible world of the underground cassette revolution, from which once experienced, there is no going back.
- Alan Rider, Outsideleft Magazine/Adventures in Reality
The humble cassette has received quite a lot of interest of late with a number of books exploring its social and cultural significance across a range of genres, but Jerry Kranitz’s book remains one of the few publications to focus on the cassette’s significance as a means of DIY music production and distribution. Starting firstly in the heady days of late 1970s post-punk and then outlining the cassette’s role in the 1980s and 90s in the development of an alternative network of hometapers. Out of print since its initial hardback publication on Vinyl-on-Demand, this new and updated version is therefore very much appreciated.
- Philip Sanderson, founder of Snatch Tapes
Jerry Kranitz’s book evokes the almost-clandestine networks, the home-dubbed love and revolution that snailed its way through the mail, a thing that didn’t need permission, a thing that thrived precisely because it was excluded. It was raw, unruly, and totally outside of the algorithm’s grasp. It was rough, slow and amateur, but it built real connections across borders and physical isolation. The is how we misfits found each other, making noise outside of commerce. A countercultural web stuck together with trust, photocopies and international reply coupons.
- Nigel Ayers, Nocturnal Emissions
The cassette culture wasn’t just about underground music and art, it was a way of looking at the world. Jerry Kranitz’s Cassette Culture illuminates this grassroots network where kindred spirits were only a letter away and exchanges were always mutual. We created a Christmas Day every day, with quirky packages arriving through mailboxes the world over. This meticulously researched book is full of firsthand information and anecdotes from artists and innovators that join the dots to show how the network grew and interconnected creators and audiences. Embracing the bold challenges of assembling a comprehensive cultural history that straddles countries, musical genres and ideologies, Cassette Culture is an engrossing and weighty read. Uniquely, Kranitz roots the artist networks of the cassette scene within earlier fan communities of 1930s sci-fi and the scrupulously DIY approach of 1950s Sun Ra. Kranitz’s wide lens contextualizes what emerged with the arrival of the hometapers with foundational concepts from the Dada and Fluxus movements. You will emerge from reading this book not just with an understanding of the connections of contemporary music and culture but with a thought that maybe, just maybe, there is another way of doing things.
- Martin Franklin, The Cassette Culture Podcast
Jerry Kranitz’s entry into music journalism began in the late 1990s with the fanzine Aural Innovations and in 2000 he began an online podcast under the same name. Recently he sent me an advance copy of a fascinating new book titled Cassette Culture: Homemade Music and the Creative Spirit in the Pre-Internet Age. This is a fascinating and in-depth survey of indie music artists, labels and music collectors that covers the entire spectrum of music stylistically featuring musicians from all corners of the world. As someone who has been immersed in ‘Music from Around the World’ since the 1970s, as I read through it there were hundreds of artists, labels, music fans and musicians referenced that I had never heard. I was amazed and overwhelmed by the amount of information contained in the book. Cassette Culture is an essential musical reference source. I recommend you check it out.
- Archie Patterson, EUROCK
Cassette Culture is the result of 10 years of painstaking research. It is an enjoyable and captivating read and, although meticulously researched, it thankfully avoids becoming too dry and academic and will appeal to both lay and scholarly readers alike. As someone who was thoroughly immersed in the DIY cassette scene of the late 1970s and early 80s, I recommend this book to anyone who was directly involved and would like to relive those exciting times, or simply wishes to discover more about this fascinating - and often forgotten - period in the history of underground music.
- Richard Rupenus, The New Blockaders
And in the darkness we dance
and paint portraits of empty frames
When the silence falls
there is no fear
only joy in the vast night
Yours in short poetry,
Count Robot
Open
He breaks his skin open
more akin to a carapace
than skin
Drink to my sin
where do I begin
to melt away
Milky Way not
here this day
I'm shattered
into the sea of shadows
Drinking in the empire of shadows
I've only seen this before
His skin is broken open
Follow me to the ending
Yours in something else,
Count Robot
Fell
A star fell out of his back pants pocket last night as he flowed his way home through the neon swept rainfall which offers no warmth to the sleeping ground and every sound is a laugh track to the sodden image of the rundown to your residence in the sundown estates where all the stars fall out of your pocket but they light the way
Night does not have to slay the day.
Yours in words,
A Rural Road
The lizard of circumstance
demands you to prance
in a non-geopolitical stance
Moose flossing
with candy crossing
is the fly way to
your inner most buy way
A festival of garlic art
inside or being part
and particle of a
mulch mart
An insubstantial semi-solid bear
is barely there
If this poem is a joke
it just broke
Yours in dumb poetry,
Count Robot
Here We Are is the new amazing Gypsy Moths album
It's a double album jammed with tunes!
This album isn't just a tribute to your cool aunt and uncle's record collection, this is a tribute to what the future of music should be all about. Rock and roll that is
sinewy and has just the right amount of teeth and is looking at the present as well as the past. This is the album the Rolling Stones wish they could write today.
Yes, some of these songs appeared on the Gypsy Moths recent EP, but I don't care. They slot in well with the rest of these songs.
1. And You Know I Do - Sunshine pop at the finest level. Jumping and bobbing along.
2. Still I Recall - A breezy joy recalling the beautiful soul songs of the late 60's/ early70s'. Wonderful guitar work.
3. Leave You With This - Singer Steve O'Brien is a vocal chameleon. I didn't even recognise him at points during this song and I think that's great when a musician can surprise you with their skill.
4. Heart To Break - If I had a heart to break... Another fine example of guitarist Chris Conway's skills.
5. Rubber Dubber -A song about bootleg records!? Yes!!! This is a glorious ode to the maniacs and pirates who would record shows for fun and occasionally for profit.
How amazing to describe the whole thing in a song! A pirate's record shop sets sail!!!! This track is worth the whole album.
6. Fall of Sam Tully (C and Third) - We go from a story of record pirates to a suspected pirate hanging in 1812 in South Boston. Gorgeous keys on this track.
7. Train Tickets - What is it about trains that make such great songs and stories? If you want the answer to that question listen to this track.
8. Fold Up The Air - A classic example of psych pop. The guitar is killer. Close up the sky. The keys on this one too... just sublime.
9. Last Night at the Pickwick - A song about the collapse of the Pickwick theatre in MA. The Moths excel at giving us charming history songs about tragedies. I don't know if I can ever explain how they do it and do it so well, but here it is regardless. Conway turns in another excellent karate chop of a guitar solo and by that I mean, its quick and hits you just the right way.
10. She Doesn't Love You -Some gorgeous slide guitar work on this one! A... non love song, here to pick us up after the last tune.
11. Better Beware - Nice breathy FX on this track. It's not the end of the world but you can see it from here.... genius!
12. Like We Used To Do - Jazzy, loungey, this one has got it. Reminds me of Frank Sinatra after having just the right amount of cocktails. A gem! Meant for a nice slow dance.
13. Tell Me She's Alright - Tell me she's in love, so I can go... The last line.... wow. This is such a potent song! Gets me every time. The change at the end too... grand!
14. Cover For Me - Fun! This song is a real good turn around after the heavy vibe of the last one. Ridiculously fun line in this one, "I go home alone with my xylophone!".
15. Go On Forever - Good riff on this track! Nice rock and waltzing feel. Great thick keyboard sound.
16. Invisible Stickball Paint - Love that intro beat. Drink an ocean dry... You can feel this song whenever you stare at your record collection.
17. Maybe You're Dreaming - Nice use of vocal FX track. Good backing vocals too. Reminds me of what the Beach Boys could do so well. There's some tasty jangling guitar here too.
18. All That I Can - A dark juke joint song. The kind that makes the jukebox shake with fear and joy when you play it.
19. He Really Must - Another rocking tune. The keys on this one really shine. Nice keyboard outro.
20. Washashore - A ballad! Feels like a dream of a song playing late night on a white sand beach even though its the Winter.
21. Ship To Shore - "Clocks run faster than I can" Great lyrics!
22. Rock-Ola 444 - A song about music and its got a solid dance groove. A nice fun song before the heavy one coming up.
23. Shots And Prayers -A song that shouldn't have to be written but needed to be created. Why the hell are we here? The innocent go underground. This song is the truth. I am so tired of living in the world capital of mass shootings. Thank you Moths for writing this much needed song. Chris Conway's guitar solo is perfectly deft. Get down. Listen!
24. Before The Lights Went Out - A nice refresher after the heaviness of the last tune, but wait it isn't. It's a beautiful song about lost friends. This is the beauty of the Gypsy Moths they make you feel. So much music doesn't have depth or feeling but the Moths push all the emotions to the foreground. This is truly beautiful song.
25. Looking For You - The album closer and a long song! A nice end to this double album. This song stretches out well and doesn't overstay its welcome conclusion.
The production on the whole album is lush and emphasises just what the listener wants to hear at the right moment.
If Massachusetts was an album, this would be it.
Yours in great rock and roll,
Count Robot
Earlier this month I caught the remake of Deathstalker.
For those not in the know, the original Deathstalker movie was an 80's Conan knockoff (there are a lot of those). The original was trashy and low budget but fun.
I saw it at the Alamo Drafthouse in Boston. Before the movie they show really weird music videos and clips from movies. Here's a pic of one bizarre music video they showed.
As to the remake itself... better than the original! At least I think so. Lots of fun and unexpected bits.
I dig it.
The low budget practical fx are just what I wanted.
Yours in flicks,
Count Robot
Never After
The after party
for the after party
for the after life party
is where I want to go
But I can never go
I don't deserve to go
I failed my family and friends alike
I'm way past the third strike
They won't let me go
They won't let me in
I am a sin
I am the din
from which nothing can begin
Yours in moribund words,
Count Robot
You can now hear the Voice of Space.
It's the latest album by Tim Mungenast & Astro Al.
Yes this is another write up about one of our albums.
Here we are, track by track.
I - this is to denote chapter/side one of the material
1. The Conversation 4:35
The album opens with the spritely instrumental, The Conversation. Three instruments try to talk to each other. Or you could say, an electric guitar, a mandolin, and a Genometer walk into a bar...
It builds and builds then devolves. This one wasn't altered too much from the original jam. Just smoothed and trimmed a bit.
Tim & DNA Girl were really in synch here, hence the title.
2. Thank You, Sun! 10:27
Thank You, Sun. This is a lengthy track. Three disconnected stories are narrated. DNA Girl rails about the current state of national affairs, Tim recounts a
a friendly communique from our nearest solar mass, Count Robot blabs about something. The lines about consuming art are a parody of a ridiculous interview I read that someone had with an over inflated actress who complained about not watching the majority of movies she was in because they weren't her type of art. Real art consumes you, not the other way around.
3. Mia And The Giant Water-Klong 3:03
A guest appearance by our dearly departed black cat Mia. Tim drops in some field recordings of rain water running down a drain. This one is a wild blaze of sound.
Sound is fun to experiment with. Lots of sounds from radio tunings as well. All of it filtered through a wall of varying effects. The thinking here is that the track is a good
break before you dive into the second half of the album.
II -We're now on side two/chapter two
4. The Cheese Witch/Duelling Cheeses 6:59
DNA Girl visits the Cheese Witch. Cheese can be love or strangeness. Floating cheese! This track really needed a spoken word bit. There was a lot of open space in
it that a talking bit really could fill. A bit of a tribute to the Who in the story. I used the Genometer here and there on this track. So you're probably wondering,
Hey, what is a Genometer? It's an old oscillating device designed to send test signals to various machines. I find if you mess with it enough and put the right effects
on it, you can make some darn spacey weird sounds. Hawkwind probably used something like it back in the day.
5. The Voice of Space 15:08
Ah, here we are. The end of the album, the title track, the longest epic song on the album. Is this our best track? Who knows, but it is my most liked track on this
album. There is a fifteen minute jam from 2023 which makes the bedrock of the track. While mixing the album, I found an 11 minute jam from 2019 that I thought
would fill out the gaps in the 2023 recording. So they were combined together. Then we threw in a pile of transistor radio recordings. I purposefully left the sounds of
Tim laughing during the jam in, because they were such a joyous sound and I think it helped add to the texture. DNA Girl's woodrow playing is from 2019.
Tim has some tasty serpent guitar playing around the end. Tim gave me some field recordings of birds and cars that slotted in well.
I don't know how many times I've heard this track, and damn, I am not bored with it in the least. I dig it because there's so many sounds and layers.
Who played what:
Tim Mungenast: Danelectro 1457 electric guitar, voice, Zoom Player 2100 multi-effects unit, Amzel Electronics Cheshire Cat distortion,
Fuzzhugger Algal Bloom Fuzz, Convulso-Suggesto Homeo-Pharge in the Key of Landru, field recordings, transistor radio, the Spring Thing,
Blasphemodule
Astro Al is:
DNA Girl: Octave mandolin, metal tongue drum, FX, voice, percussion, transistor tomfoolery, cow bell, woodrow
Count Robot: Bass, FX, Genometer, voice, Jamit, transistor radio
I played bass a lot on this album. It was fun.
The jamit toy is a toy sampler. It was given to me by local legend Bill T Miller. Thanks Bill.
Guest vocals by Mia the Cat on Mia and The Giant Water-Klong
Copyright 2025 Tim Mungenast & Astro Al
Compiled and constructed from recordings done in 2025, 2023, 2021, & 2019 in Ballston Spa, NY, Weirdfield, MA, & a rail trail tunnel in Stoneham, MA.
The bulk of these recordings were made from a session done on the rainy night of 10/7/23 following the rainy afternoon recording sessions for the Hemlock Echoes album by our band Amplissima who also put out an album this year. That album, Hemlock Echoes was culled from the rainy afternoon recording.
Tim had suggested to DNA Girl and I that we should do some jamming when we got back to our house. I was exhausted from the Amplissima recording session and damp as damp the word damp being spoken in the rain in the English countryside. I thought the jam wasn't going to be much of anything, however once we started to play I could feel a new excitement. I think my playing the bass and stumbling around the room helped.
Those few jams we did that night were enough to base the album around. I had to supplement it with some prior recordings we did and some new stuff but those jams we did that night were the bedrock that built an album I am rather pleased with.
It is a true bliss making this music with the talented goat being, Tim Mungenast. Thanks Tim.
Yours in album blabbing,
Count Robot
A hypothetical conversation that hasn't happened yet but someday will.
Some random fool: "Hey why don't you use AI to write a novel?"
Me: "Hey, why don't you punch yourself in the face?"
I could never use AI to work on a novel. Why? There are many reasons.
One very important reason to me, is that a novel is a mystery in my own head. I am trying to solve the problem of writing what is in my head, getting it written out and figuring out what I am trying to say.
Why use something artificial to try to figure out myself?
If I can't solve my own mysteries, what right do I have to share them with anyone else?
Yours in AI should do my laundry,
Count Robot
I recently re-watched the episode of Star Trek where they went to a planet taken over by Nazis caused by interference from a Federation historian.
It reminds me too much of things happening now. People who watch Star Trek may not have seen the lessons that were written into it no matter how many times they supposedly watched it.
A society based on hate is a society based on failure.
Nazis are losers because they believe in hate.
Don't be a loser.
Yours in anti-fascism,
Count Robot
Five By Five From Four is an EP by the legendary Boston band, the Gypsy Moths.
And I LOVE it!
Here's a quick write up about it.
1. And You Know I Do -So bouncy and perfectly 1960s whenever. Wistfully happy. Reminds me of some of the best Monkees songs.
2. Before The Lights Went Out -Reminiscing about the past is a great power of music. Really melancholy lyrics but in a true way not some teen goth way, releasing the sadness of people who have passed but in a way that helps you share out and wear out the pain.
3. Cover For Me -Fun and poppy. A nice upbeat swing after the previous track. Go home with my xylophone alone. fun lyrics!
4. Fold Up The Air - My favorite song of the EP. Freaking beautiful. Psych pop in the best way possible. This song gets stuck in my head all the time and I never mind it living there. That guitar and piano! They sound glorious. The whole song is lush and captured perfectly.
5.Tell Me She's Alright -A fun lost love story. The ending of the story in the song sneaks up on you. It's very clever. The ending of the music catches me off guard too. I really dig how it messes with me in the right way.
If you love rock and roll, this is the EP for you.
Best EP of 2025? Yes it is.
Yours in the love of music,
Count Robot
Saturday night we did this show on youtube which you can check out above.
Here are some behind the scene photos as well.
This first one is our toy piano on the right and to the left the Evil Clown HQ toy piano. Note on the lower left Tim Mungenast's mighty Roland Echo unit. The thing sounds incredible.
Love and video,
Count Robot
