Saturday, March 2, 2019

North American Space Ritual


This month I will be living in a musical dream world for two nights.
            March 29th & 30th I will be in Austin, Texas for the first time in my life.
            This is where the North American Space Ritual will take place.
            What is this show all about? It’s two nights of musical madness. Jazz, rockabilly, heavy metal, and space rock will be performed live. Performers from distant parts of the globe, England, California, Russia, and more will come together to make a maelstrom of musical madness.
            Michael Moorcock, author of the amazing Elric series, lyricist for Blue Oyster Cult and Hawkwind will perform with the band Moon Hawks which also features former Hawkwind alumni Alan Davey and Nik Turner.
            My friend, John Pack from the Georgia based space rock ensemble Spaceseed has kindly invited me to perform with them.
            This is a… I don’t know what to type about this all. My head is swimming. I hope we all put on an amazing show for everyone. I hope that it will be as transcendent for you all as I know it will be for me.
            Come and voyage with us.
TICKETS ON SALE NOW 
https://www.comeandtakeitlive.com



Wednesday, January 30, 2019

Weird Sound Generations


             A recent acquisition for the Astro Al audio armada was the Weird Sound Generator.
            This is a wild synth built by hand by Spektrum Electronics.
              Spektrum Electronics
            One of the wonderful endearing things about this unit is the sense of humor. All the knobs go to 11!
            Check out the sounds it makes.

            This is a wonderful vintage style modernist instrument. Totally makes me feel like I’m making sounds for a Silver Apples/Hawkwind/Portishead tribute album.
            I am super excited to be using this instrument for the first time “live” with Spaceseed at the North American Space Ritual.

Yours in Weird Sound Generation,
Count Robot



Sunday, January 13, 2019

Count Robot’s 3 favorite albums of 2018


Here it is, the yearly list no one except my sadistic, validation-seeking, subconscious, asks for, my three favorite albums of 2018.
3. Adam Holzman: Truth Decay
This album was a pleasant surprise. I read Holzman’s description of it on his Flakebook page, which interested me enough to buy it after Steve Wilson’s gig at the Berklee Performance Center.
So glad that I made that purchase. What a wonderful diverse collection of music! Jazz, prog, sixties rock, thought provoking lyrics, fusion, and a pleasing plethora of sounds swirl through this music.
Sweeping you right along from the opening jazzy drum smack of Ectoplasm to the smooth-ish jazz cool of Are You High? This album is a delight to my ears from start to finish. Thank you Mr. Holzman.

2. Squirrel Nut Zippers: Beasts of Burgundy
Firstly, let me say, that if you told me last year, before I went to see the Squirrel Nut Zippers for the very first time, that they’re new album would be one of my favorites of 2018, I sure wouldn’t have believed you.
How wrong can I get?
This is a New Orleans bawdyhouse of musical repute that makes you want to drop your pants after you drop the bottle of booze you just emptied in one gulp. Total voodoo fever fun times.
This album also features a song that is now one of my all time favorite torch songs, Fade.
This song, like so many others on the platter, sounds as though I’ve heard it before in the best way, but it’s all original music rooted in a classic vibe. Beautifully familiar, yet an exciting stranger in the musical boudoir of my brain.
Here is that wonderful new torch song that burns in the dark night of the soul.

1. Gypsy Moths: Alright
This album is a party anywhere it is played. A flipping fantastic party with gin, bar fights, dancing, romancing and rock and fricking roll.
           There’s such energy captured in this platter of good times and sad times and drinking up a storm times, that it’s hard to not gush praise out every time the needle or laser drops on the wax or CD.
This is music made to dance with.
This is music made to party with.
This is amazing rock and roll.
The Moths get the party started just right with The Boys Are Back In Town. Yes, all the songs are cover tunes, but the Moths don’t just go through paint by number motions, it’s almost as if all these tunes were written for them to take to the dance floor and rock and roll all night.
            So how are the players? The band’s horn section is always on fire. Guitar playing is gritty and smooth at the same time. Keys are classic sounding. Drums on point. Bass is bouncing and big. Vocals? Hell yeah! Everything lands perfectly.
I seriously totally dig this album so much, that it is mentioned more than once in a trilogy of novels that I’m writing called, Song and Deth.
            Here’s the Moths, live and in flight
            
Subversively yours,
Count Robot
1/13 /19

Friday, October 26, 2018

Squirrel Nut Zippers: Beasts of Burgundy




            Earlier this year an unexpected pleasure awaited DNA Girl and myself at the Cabot Theater Beverly. We went to see the Squirrel Nut Zippers for the first time. Now of course we were into going and such but never, ever did we expect such a heady night of musical fun.
            The band is incredible live, and because they focused on material for their amazing new album Beasts of Burgundy is partially why they were so solid damn good.
            This album is a voodoo driven New Orleans jazz joint good time. Each song does the amazing feat of sounding just familiar enough to be nostalgic, even though every single tune was written by someone in the band’s lineup.
             Not a single dud or filler tune is present. It makes you feel like it’s late at some hopping beer soaked jazz hall at the edge of a joyously cursed swamp in Louisiana.
Rusty Trombone is a darn funny 20’s roaring ode to oral sex. Use What Mama Gave You is an amusing pro-stripping ditty. The zippers aren’t afraid to unzip such bawdy tunes.
            It would be incredibly negligent if one song in particularly wasn’t singled out for special mention. The final track Fade may be one of the best torch songs ever recorded. The feel, the burn, the incredible haunting vibe, is soul shaking.
             Listen to Fade here.

             This album is a must if you dig the vibe of old world jazzy tunes.
            And we never would have discovered this amazing album if we hadn’t gone to see the Squirrel Nut Zippers live.
            Remember kids, go see live music!


Yours in bawdy vaudeville music,
Count Robot

Sunday, September 2, 2018

Moonscape Hotel review


Devoured By Flowers
Moonscape Hotel

Moonscape Hotel is the first album by Devoured by Flowers.
The 90’s are alive in this album. Perhaps it’s fitting that this band is from Portland Oregon, where it is often said that the lifestyle of the 90s still exists.
There were many ages of music that I enjoy. The 20s, 60s, 70s and 90s are some high periods for me. So the 90s vibe is a great thing.
Swooning speedy, dream pop with a lush undercurrent of goth is a thick part of the tapestry of the tunes on this record.
Dorian Campbell is the lead vocalist along with playing guitar and other cool duties. I don’t know much about Campbell’s background or other projects, but he sounds very polished here. Clearly he has a vision of how he wants to sing, which he pulls off quite well.
Driving the instrumentation along is the ever-astounding tune titan, Ashkelon Sain. Friends of mine have often heard me gush like a river about the incredibly talented Mr. Sain. Ash was the Lovecraftian musical architect behind Trance to the Sun, one of my favorite bands that I love to name-drop whenever possible.
Of all the tunes here in, Faire Creatures and the last track, A Seaside Ballad are the standouts to my ears. The wonder in Dorian’s voice in Faire Creatures is super earworm haunting. A Seaside Ballad gets a grand boost with some wonderful female vocals running along with Dorian’s voice.

The guitar playing throughout the proceedings is beautifully pristine.
DNA Girl digs this CD a lot. Yes, me too!
Check it out!


Gothic romantically yours,
Count Robot

Sunday, June 10, 2018

The Gypsy Moths: Alright!


            One of the great joys of music is variety. There are so many wonderful styles of tunes, why not dive into the buffet?
            When you want old school, kick butt, party on down, stomp your stereo good time rock and f’ing roll, Alright by the Gypsy Moths is a classic.
            Putting this album on is putting a sweat soaked, dance filled, juke joint, rock and roll dive bar awesome good time into your stereo.
            I like this record so much I have it as both a CD and vinyl record. Which do I prefer? Well in this instance it’s very much the vinyl album. While the CD is great for the car, the grooves of this collection of songs cry out for the action of a needle driven sound system. Plus there’s a great photo inside the album with fun pictures of the band boozing it up as they rip up the stage of every bar they play at!
            The production on the album is smooth enough to not loose its much need rock grit. All the instruments and vocals are well positioned in the mix with nothing drowning anything else out. This is no small feet given the rich sound that the band has going on.
            What more can I say about this awesome slice of classic rock and roll tunes? Well here’s a personal bit, I have been fortunate enough to follow the musical career of Chris Conway and Steve O’Brien for many years, and this band is the best I have ever seen either of them perform in. Great job guys!
Ok this isn’t a cut from the album, but it will give you a taste of the fabulous tunes waiting for you if you dive in:

Here’s where you can buy the album:


Yours in rock and roll with teeth,
Count Robot

Saturday, June 2, 2018

Twink: Sugar Trip


Twink: Sugar Trip
            So what you’ve got here is a write up of a mini vinyl album. Sugar Trip is a beautifully colored 33 mini LP with two songs on each side.
            The title track starts us with a bouncy toy piano intro that takes us on a wonderfully bizarre trip of sounds from a dimension of psychedelic splashed bunnies. There is a sly undercurrent here that reminds me of the tinkle of old school amusement parks as filtered through a grand wizard of a 90’s DJ.
            Mike Langlie is the amazing dude behind Twink. He performs his crafty music on toys and electronics. With that simple credit, Twink creates a wall of inner child fun music.
            The whimsy on display here is so kooky it’s impossible not to dig it. The second track on side A, “Uh Uh Oh” goes in as many directions as a day glow bouncy ball. Just when you think you have that song nailed down, it jumps off in some other charming direction.
            Side B takes off with Fruitbat. A fun flight of fancy. Very beat driven and brief as a hopping bunny playing synths.
            Finally we have The Return of Doctor Eelsleeves. The title of this song alone is awesome. It could have easily been the title to a track on Sgt. Pepper’s Lonely Hearts Club Band. This one is a wobbly cacophonic spritely mish mash of a tune that re-invents itself in seconds. At a little over four minitues this is the longest track. Twink Prog?
            This download/vinyl album is another grand addition to the amazing collection of Twink recordings.
            You can take the Sugar Trip here:


Yours in super cool tunes,
Count Robot